{"id":137996,"date":"2025-05-07T23:42:39","date_gmt":"2025-05-07T21:42:39","guid":{"rendered":"https:\/\/archiduc.com\/live-sessions\/thomas-delor-trio\/"},"modified":"2025-05-07T23:42:39","modified_gmt":"2025-05-07T21:42:39","slug":"thomas-delor-trio","status":"publish","type":"portfolio","link":"https:\/\/archiduc.com\/fr\/live-sessions\/thomas-delor-trio\/","title":{"rendered":"Thomas Delor Trio"},"content":{"rendered":"

Simon Martineau, guitar
\nGeorges Correia, double bass
\nThomas Delor, drums<\/p>\n

N\u00e9 le 5 juillet 1987 \u00e0 Nice (France), Thomas Delor d\u00e9bute la batterie d\u00e8s l\u2019\u00e2ge de 8 ans et se tourne tr\u00e8s rapidement vers le Jazz, musique qu\u2019il a eu l\u2019occasion d\u2019appr\u00e9cier depuis tout jeune gr\u00e2ce \u00e0 la discoth\u00e8que familiale et dans laquelle il ressent la possibilit\u00e9 de laisser libre cours \u00e0 sa cr\u00e9ativit\u00e9.
\nD\u00e8s 16 ans, parall\u00e8lement \u00e0 ses \u00e9tudes sup\u00e9rieures de math\u00e9matiques, il commence \u00e0 se produire sur les sc\u00e8nes jazz fran\u00e7aises et italiennes aux c\u00f4t\u00e9s de musiciens professionnels et est invit\u00e9 par le chef d\u2019orchestre Avner Soudry en 2007 en tant que percussionniste dans l\u2019orchestre classique instrumental de Nice.
\nDurant l\u2019ann\u00e9e 2008, il se rend pour la premi\u00e8re fois \u00e0 New York, voyage qui lui permettra par la suite de multiplier les rencontres musicales et de collaborer aux c\u00f4t\u00e9s de musiciens am\u00e9ricains.
\nDipl\u00f4m\u00e9 \u00e0 l\u2019\u00e2ge de 22 ans, il devient professeur de math\u00e9matiques dans le secondaire ainsi qu\u2019en \u00e9cole pr\u00e9paratoire, ce qui lui permet de s\u2019installer sur Paris au cours de l\u2019ann\u00e9e 2010. Rapidement \u00e9tabli dans la sc\u00e8ne Jazz de la capitale, il d\u00e9cide alors de mettre fin \u00e0 sa carri\u00e8re d\u2019enseignant pour se consacrer pleinement \u00e0 la musique.
\n\u00ab Batteur autodidacte d\u2019une grande musicalit\u00e9, r\u00e9put\u00e9 pour son jeu original, expressif et haut en couleurs m\u00ealant finesse, intensit\u00e9, sensibilit\u00e9 et complexit\u00e9, il base son travail principalement sur l\u2019\u00e9coute, l\u2019\u00e9change avec les musiciens et la recherche de sonorit\u00e9s. \u00bb
\nPar son esth\u00e9tique affirm\u00e9e et facilement identifiable, il d\u00e9veloppe un go\u00fbt certain pour les petites formations (du solo au quartet), afin que son approche \u00e0 la fois rythmique et diatonique de l\u2019instrument prenne tout son sens. \u00ab La batterie est un instrument jeune qui a certes bien \u00e9volu\u00e9 mais qui pour moi n\u2019en est qu\u2019\u00e0 son commencement. J\u2019aimerais briser cette r\u00e8gle (que je ressens assez en France et dans son enseignement) qui offre \u00e0 la batterie comme seules et uniques fonctions le rythme et le tempo\u2026 Je pense qu\u2019aujourd\u2019hui la batterie se doit d\u2019\u00eatre un instrument \u00e0 part enti\u00e8re, en accord avec l\u2019ensemble, un espace \u00e0 ma\u00eetriser afin d\u2019en sortir de la \u00ab Musique \u00bb, cela est la finalit\u00e9 du musicien me semble-t-il \u00bb.
\nIl remporte en 2010 le concours Jazz \u00e0 Juan R\u00e9v\u00e9lations, puis est laur\u00e9at 2015 du Golden Jazz Trophy (pr\u00e9sid\u00e9 par Archie Shepp et Jean-Claude Casadesus).
\nEn 2016, il signe avec la marque de batterie Canopus Drums Company.
\nDepuis le d\u00e9but de sa carri\u00e8re, il a eu l\u2019occasion de multiplier les exp\u00e9riences musicales dans de prestigieux festivals (Nice Jazz Festival (Nice), Umbria Jazz Festival (Perugia), Jazz \u00e0 Saint-Germain-des-Pr\u00e9s (Paris), Jazz \u00e0 Juan (Juan-les-Pins), Orl\u00e9ans Jazz Festival (Orl\u00e9ans), La Baule Jazz Festival (La Baule)\u2026), clubs de Jazz (Sunset-Sunside (Paris), Duc des Lombards (Paris), Ronnie Scott\u2019s Jazz Club (Londres), Fat Cat Jazz Club (NYC), Cleopatra’s Needle (NYC), Blue Note Kyoto, Jazz Club Torino, Jazz Club de Grenoble, Jazz Club d\u2019Annecy\u2026) et au cours de nombreuses tourn\u00e9es (New York, Japon, Russie, Maroc, Allemagne, Angleterre, Irlande, Italie, Hollande, Pologne, France, Suisse, Belgique\u2026) pendant lesquelles il anime aussi r\u00e9guli\u00e8rement des workshops dans les conservatoires et \u00e9coles.
\nIl a notamment jou\u00e9\/enregistr\u00e9 aux c\u00f4t\u00e9s des pianistes David Berkman, Eric Lewis, Noah Haidu, des guitaristes Philippe Petit, Philip Catherine, des contrebassistes Ugonna Okegwo, Miroslav Vitous, Christophe Wallemme, etc\u2026 et figure sur de nombreux albums. <\/p>\n","protected":false},"excerpt":{"rendered":"

Simon Martineau, guitar Georges Correia, double bass Thomas Delor, drums N\u00e9 le 5 juillet 1987 \u00e0 Nice (France), Thomas Delor […]<\/p>\n","protected":false},"author":1,"featured_media":132394,"parent":0,"menu_order":0,"template":"","meta":{"footnotes":""},"portfolio_category":[82],"class_list":["post-137996","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio_category-archives"],"yoast_head":"\nThomas Delor Trio | L'Archiduc<\/title>\n<meta name=\"robots\" content=\"noindex, follow\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Thomas Delor Trio | L'Archiduc\" \/>\n<meta property=\"og:description\" content=\"Simon Martineau, guitar Georges Correia, double bass Thomas Delor, drums N\u00e9 le 5 juillet 1987 \u00e0 Nice (France), Thomas Delor […]\" \/>\n<meta property=\"og:url\" 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