Arno
Photography by Arnaud de Harven
Tribute
Arno, the iconic Belgian singer, was a true fixture in Brussels, and his frequent visits to the city’s cafés embodied his deep connection to its vibrant culture. He often found himself at L’Archiduc, where the jazz-filled ambiance seemed to resonate with his own raw, soulful style. Arno’s music captured the spirit of the city—its gritty charm, humor, and resilience. His songs, like his personality, were deeply rooted in Brussels, reflecting the bohemian, eclectic life he led. His presence at local spots wasn’t just a part of his routine; it was part of his creative process, as he drew inspiration from the city and its people.
Arno, sa dernière interview – Les Docus RTBF
Arno – Les yeux de ma mère
Session pour la RTBF à l’Archiduc
Arno & Mélanie De Biasio Interview
Emission « Tout le Baz’art » de Hadja Labiab
Rencontre à l’Archiduc
Arno, born Arnold Charles Ernest Hintjens in 1949 in Ostend, Belgium, was one of Belgium’s most distinctive and beloved musicians. His career spanned several decades, marked by a unique blend of rock, blues, and chanson. Known for his raspy voice and raw, soulful performances, Arno began his musical journey in the 1970s with the band Freckleface, later joining Tjens Couter, which evolved into the new wave band TC Matic. With TC Matic, Arno gained international recognition in the 1980s, blending rock with punk and rhythm and blues, and achieving hits like « Putain Putain, » a song that became an anthem for its unapologetic critique of European society.
After TC Matic disbanded in 1986, Arno embarked on a solo career that would solidify his status as a national icon. Singing in a mix of French, English, and Flemish, he crafted a sound that was both deeply personal and widely accessible, exploring themes of love, loss, and the human condition. Albums like Ratata (1990), À la française (1995), and Le European Cowboy (2002) showcased his ability to blend humor with melancholy, often reflecting on his love-hate relationship with modern society and his nostalgia for the past.
Arno’s career was distinguished by his unique style and fearless authenticity. His stage presence was magnetic, and his concerts were legendary for their intensity and raw emotion. He continued to perform and record music well into his later years, releasing critically acclaimed albums like Human Incognito (2016) and Santeboutique (2019). Even as he faced health challenges, Arno remained committed to his craft, releasing his final album Vivre in 2021. His legacy as a storyteller, an outsider, and an artist who always stayed true to himself has left an indelible mark on Belgian music and continues to inspire audiences around the world.
Link to a few articles:
Dans les yeux d’Arno… Arno se raconte une dernière fois
> Lien RTBF Auvio
Arno, vachement bien ! 20/20 – En une seule phrase d’interview ce serait…
> Lien RTBF Auvio
Hep taxi ! Stromae et Arno à L’Archiduc
> Lien RTBF Auvio
First Opening by Madame Alice
Tribute
1937
Founded by a certain Madame Alice in 1937, the venue was taken over in 1953 by jazz pianist Stan Brenders, who turned it into a temple to jazz. In 1985, it was sold to Nathalie and Jean-Louis Hennart, who made it the starting point for the renaissance of the Dansaert district.
Its interior decoration, in the purest Art Deco style, was designed by architect F. Van Ruyskenvelde. The 1985 renovation was entrusted to Pierre Bourgeois. The dark wood panelling, thick velvet upholstery, elegant chrome fittings and indirect lighting create a cosy atmosphere, particularly pleasing when the blue notes of the grand piano, the focal point of the place, ring out. Sleek banquettes and armchairs welcome guests either on the ground floor or on the mezzanine. Refined beers, wines and cocktails are served from the rosewood bar. L’Archiduc is one of a kind, carrying on the fine tradition of concerts and shows.